From the New York Times “Art takes total commitment, but few artists maintain it around the clock. An exception is the Taiwanese-born performance artist Tehching Hsieh (pronounced dur-ching shay), specifically, the five, grueling one-year pieces he executed, mostly in New York, from 1978 to 1986. Their subject and material was time itself.
The Museum of Modern Art is devoting a small, gripping exhibition to the documentation of “Cage Piece” (1978-79), the first of Mr. Hsieh’s One Year Performances. It entailed spending a year in near-solitary confinement in a cell-like cage doing absolutely nothing. The show makes an altogether apt debut for the Modern’s new series of project exhibitions devoted to performance art. Few pieces communicate the medium’s potential and its demands in such a basic, resonant way.” Read the rest here and more here.
